LIAM: There’s never been a spoken rule, but we’ve played together since I was very small. I've never seen a link to an interview or attribution to establish this as fact. We would compare notes at the end of the day. And sometimes that contention, in fact, brings out the best work. You could argue that there are other noble human virtues that are better to follow. We clicked, somehow. We all had a very memorable jam in Auckland one night, and this song called 'Sweet Gentle Day' will emerge at some point, which I think is a really fabulous song, and came from that jam session. Ironically, the tragedy brought Finn and bassist Nick Seymour back together, leading to a reunion and two further Crowded House albums. I would say they should do so sooner rather than later. To find out more, click here. It’s a very simple, beautiful, elegant song. Split Enz producer Hugh Padgham worked with Paul and Enz's Eddie Raynor played on Press To Play. Right There!!! We would’ve liked to have had a doctor in the family, but that’s alright. Obviously, there were some songs that were independent of any concept. It also analyzes reviews to verify trustworthiness. How was finishing it different from creating it? It's in the performance that it varies, but then again on all of my solo albums I've had different collaborators, so for me they are as distinct from each other as they from albums under different names. We can always go pay to see one. We talk to the Crowded House frontman about his forthcoming solo album Dizzy Heights, his first in over a decade, In the early-to-mid nineties, with Britpop soaring, 'Crowded House' inexplicably became a byword for bland. but the volumes of genres that seperates Paul from the rest. Time on Earth became "Asti's Album". And I would love to think it has a really good, big life. If you love what we do, you can help tQ to continue bringing you the best in cultural criticism and new music by joining one of our subscription tiers. 7 Tracks: Driving Me Mad, Interview (4:22), Driving Me Mad - Live on KCRW with Lisa Germano, Interview (7:14), Turn and Run - Live on KCRW with Lisa Germano, Interview (5:14), Anytime - Live. I think it's a really healthy thing to have someone in the room whose opinions you respect, but not always agree with. Woodface and Together Alone were two of greatest albums of the 1990s, while not being all that commercially successful (at least in the USA). It so captured how I felt. What was the most common thing on songs we wrote together, anyway, was that we would jam. Writing from jams was something that happened on this record too, there are two or three songs that came that way, which happened in Pajama Club. Neil Finn is not that great. Those moments were really exciting and kind of the glue of the record. Iowa Hawkeye Beatlefan:I too have heard that many times without seeing footage or text, although I am a huge Neil Finn fan and would agree that he is one of the best. Iowa Hawkeye Beatlefan:The story I've heard is that Paul was being asked what it is like being the world's greatest living songwriter. Neil, how did it feel when it became apparent Liam was entering the family business? But hey tons of people (where's LazyD and company) swear by Neil Finn so what do I know.. The songwriting process to a large extent is very similar no matter what I'm doing in terms of circling and discovering, and then destroying and reassembling. Liam, in recent years, directed my attention to how great they are. As much as i love Paul he does have glaring lapses of taste from time to time, something Neil rarely falls pray too. Read the choicest cuts from the Quietus archive: reviews, features and opinion, Effort For Effortlessness: Neil Finn's Favourite Albums, Never Gonna Give 'Em Up: Rick Astley's Favourite Albums, The Brutal Detail: Cass McCombs' Toy Fabels, Want 13: Rufus Wainwright's Favourite Music, Who Gets To Be The Artist?
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